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He was equivocal on fascism, and a hardline conservative who once argued during a 1933 lecture that in an ideal society "the population should be homogenous." He was also an anti-Semite. In Death's Dream Kingdom is meant to reflect on the current "dark times," but Eliot was hardly a champion of progressive politics. Eliot, the compilation attaches itself to a questionable figure. The record's dark themes chime well with Spatial's off-kilter dance music, which takes a sinister turn on "Haunted Dance Hall." The morbid subtext of In Death's Dream Kingdom allows some artists to explore sounds and ideas that might not fit so easily on their own records.īy invoking T.S.
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Koenraad Ecker's "Rat's Coat" is full of found-sound ASMR weirdness. Peder Mannerfelt's "Post Sense Perspective" is a convincing fusion of jittery techno, dark ambient and synthwave music. Pan Daijing's "The Island Within" is one of the most powerful manifestations of her queasy, body-horror-inspired ambient yet. Setting aside the concept, In Death's Dream Kingdom has many highlights.
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Music that riffs off a modernist poem-an impenetrably dense form for the casual reader-is likely to be either frustratingly vague or overly literal. It's one of the compilation's few clunky tracks, and also reveals the folly of the LP's concept. Hodge borrows the phrase "Sunlight On A Broken Column" for an eerie bit of broken techno, while Gazelle Twin invokes the poem's famous closing lines-"This is the way the world ends / not with a bang but a whimper"-over a heart-palpitating beat. Spatial's "Haunted Dance Hall" and Lanark Artefax's "Styx" both have sputtering rhythms that never quite come to fruition, basking in the poem's purgatorial spirit.Ī few artists reference the text of "The Hollow Men" directly. We Will Fail's "Carbon Trail," a highlight, flails about as if hopeless. Some hints, however abstract, can be found elsewhere.
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Similarly, Kangding Ray, Yves De Mey and ASC contribute grippingly dark soundscapes, but offer no clear links to the poem. It starts with an 11-minute drone from the bass player Otto Lindholm and wallows in the darkness from there, with impressionistic pieces from artists like Koenraad Ecker, Abul Mogard and Shapednoise painting in shades of grey and black. In Death's Dream Kingdom is an equally heavy listen. "The Hollow Men" deals with a number of grave themes: life and death, spirituality, morality, the end of the world. Artists from across the electronic music spectrum were asked to consider the poem, in particular the phrase "In death's dream kingdom," to create an "audiovisual artefact," comprised of artwork by Jazz Szu-Ying Chen, artist-written texts accompanying each track and music that spans more than two hours. Eliot's "The Hollow Men." The 1925 poem, one of the 20th century's most celebrated, is said to allude to what Eliot saw as the wreck of post-World War I Europe-a sour political climate supposedly reflected in today's Trumpism and post-Brexit politics.